DA VINCI PROJECT

(PART OF PROJECT LUX EVOLUTIONEM)

ALL DESIGNS CREATED THROUGH PROJECT LUX EVOLUTIONEM FOLLOW THE PRINCIPLES OF SACRED GEOMETRY,

AN ANCIENT FORM OF DESIGN THOUSANDS OF YEARS OLD, USED THROUGHOUT HISTORY BY SOME OF THE MOST POWERFUL FIGURES TO EVER EXIST, AND ALSO BY SOME OF THE MOST POWERFUL RELIGIONS, PARTICULARLY THE CATHOLIC CHURCH, WHO USED IT SINCE ITS VERY BEGINNINGS FOR THE CREATION OF EVERY FORM OF ART IT HAS EVER PRODUCED, FROM THE ARCHITECTURE OF ITS MOST BEAUTIFUL CATHEDRALS TO THE WORKS BY ARTISTS SUCH AS MICHELANGELO BUONAROTTI AND RAFFAELLO SANZIO.


OUT OF ALL THE ARTISTS THAT HAVE EVER USE SACRED GEOMETRY, THE MOST PROMINENT ONE HAS BEEN WITHOUT A DOUBT LEONARDO DA VINCI, WHO NOT ONLY UTILISED ITS PRINCIPLES TO CREATE THE FAMOUS "VITRUVIAN MAN",

BUT ALSO AS THE FOUNDATION FOR MOST OF THE DESIGNS OF HIS DEVICES & INVENTIONS, A PRACTICE MOST NOTICEABLE WITHIN THE "CODEX ATLANTICUS", THE LARGEST COLLECTION OF HIS DRAWINGS AND WRITINGS, COMPRISED OF 1,119 LEAVES DATING FROM 1478 TO 1519, IT HAS BEEN RECOGNIZED BY THE ART HISTORIAN CARLO PEDRETTI AS THE MOST IMPORTANT OF LEONARDO'S MANUSCRIPTS. 


GROWING UP IN TUSCANY, I HAVE HAD THE OPPORTUNITY TO ADMIRE EXHIBITIONS OF LEONARDO DA VINCI'S WORKS, AND HAVE STUDIED THE DESIGNS OF THE CODEX ATLANTICUS WHEN I WAS SIXTEEN YEARS OLD.


STUDYING SACRED GEOMETRY EVER SINCE, MY DESIGNS FOLLOW THE SAME CRITERIAS UTILISED BY LEONARDO

DA VINCI HIMSELF, AND WHILE HE APPLIED THEM FOR THE PURPOSE OF ABSOLUTE GEOMETRICAL PERFECTION,

I RESEARCH THE PSYCHOLOGICAL EFFECTS AND RESULTS CAUSED BY THEM, THROUGH PROJECT LUX EVOLUTIONEM. 


FOR MY MOST COMPLICATED DIGITAL DESIGNS, MY CREATIVE PROCESS STARTS FIRST THROUGH DRAWINGS

MADE BY HAND IN DA VINCI'S STYLE, ON PAPER ESPECIALLY CURATED THROUGH MY OWN SECRET TECHNIQUES TO RECREATE THE VISUAL EFFECTS OF FINE ANCIENT PARCHMENTS, AND ONLY THEN, I USE THE RESULTING ARTWORK 

AS A FOUNDATION FOR MY DIGITAL DESIGNS.

AN EXAMPLE OF MY METHODS: